阿克曼自画像
美城影院提供的《阿克曼自画像》不是一部简单的法语纪录片，香特尔·阿克曼导演的阿克曼自画像首次上映于1997年的法国地区，是一部在电影史上有着重大意义的法语语言对白电影，阿克曼自画像电影导演对细节的精雕细琢令人印象深刻，每一个镜头都充满了艺术感，仿佛一幅幅流动的画卷，展现出电影制作的精益求精。
电影《阿克曼自画像》观后点评：《阿克曼自画像》不仅是一部精彩的电影作品，更是一部发人深省的艺术佳作，它引发了人们对人生、社会和人性的深刻思考。
《阿克曼自画像》电影剧情介绍：
When asked to participate in the Cinema, of Our Time series, Chantal Akerman jokingly suggested herself as subject matter. She envisioned a film consisting solely of excerpts from her films, but when pressed by the producers to include footage of herself, Akerman grudgingly agreed, and divided the film into two parts. The first part opens with Akerman in her apartment, reading from a text directly to the camera, describing the problems she encountered making this film. What emerges from this mise-en-scene is a funny, often personal, and always thoughtful confession from this extremely perceptive filmmaker. Part two lets Akerman's films speak for her, taking clips from her extensive filmography and linking them anonymously until they form a new film. There are scenes from JEANNE DIELMAN, her best-known film, but also glimpses of several other works - forays into experimental film, comedic shorts, musicals, narrative features - including an early short that stars a very young Chantal.
